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James Bond Live
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3:51
YouTube
DR Koncerthuset
James Bond Theme 007 - Dr. No // The Danish National Symphony Orchestra (Live)
#007 #FilmMusicLive #AgentsAreForever #DNSO Dr. No Composed by Monty Norman Arranged by Thomas Bryla (based on John Barry's original arrangement) Assassin: Natasja Voldstedlund (video + thumbnail) Conductor/stunt: Valdimar Jóhannsson In April 2020, The Danish Broadcast Corporation (DR) will air a concert called “Agents Are Forever ...
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Sep 30, 2021
Live and Let Die Scenes
How Stuntman Ross Kananga Used Real Crocodiles For This Wild Sequence in ‘Live And Let Die’ | Bold Entrance
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Simon Hayes, NO TIME TO DIE Production Sound Mixer brings us his favorite 007 moment… “It has to be escaping the crocodile farm in LIVE AND LET DIE - the scene embodies Bond! 007 finds himself in a seemingly impossible situation. The horror the audience feel as the bridge is wound back, trapping him on the island, is so real. The sheer thrill, sense of complete amazement and excitement as he makes his fantastic escape is what Bond movies are all about. Brilliant cinema!” | James Bond 007
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Madeline Smith, Miss Caruso in #LiveAndLetDie, shares her favourite 007 moment: “I love a mixture of excitement, humour, chills and an element of surprise…The New Orleans Marching Band parading through the streets playing the funeral march, then breaking into joyful jazz and dancing after they magically pick up the body of the murdered MI6 agent.” | James Bond 007
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On this day in 1972, Guy Hamilton directed the boats leaping over Sheriff J.W. Pepper and destroying his car in LIVE AND LET DIE (1973). Roger Moore learnt to drive the GT-150 speedboat which meant a cameraman and director Guy Hamilton could lie on the front of the boat to shoot close-ups. | James Bond 007
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Simon Hayes, NO TIME TO DIE Production Sound Mixer brings us his favorite 007 moment… “It has to be escaping the crocodile farm in LIVE AND LET DIE - the scene embodies Bond! 007 finds himself in a seemingly impossible situation. The horror the audience feel as the bridge is wound back, trapping him on the island, is so real. The sheer thrill, sense of complete amazement and excitement as he makes his fantastic escape is what Bond movies are all about. Brilliant cinema!” | James Bond 007
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Madeline Smith, Miss Caruso in #LiveAndLetDie, shares her favourite 007 moment: “I love a mixture of excitement, humour, chills and an element of surprise…The New Orleans Marching Band parading through the streets playing the funeral march, then breaking into joyful jazz and dancing after they magically pick up the body of the murdered MI6 agent.” | James Bond 007
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On this day in 1972, Guy Hamilton directed the boats leaping over Sheriff J.W. Pepper and destroying his car in LIVE AND LET DIE (1973). Roger Moore learnt to drive the GT-150 speedboat which meant a cameraman and director Guy Hamilton could lie on the front of the boat to shoot close-ups. | James Bond 007
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On this day in 1972, Guy Hamilton shot Bond (Roger Moore) and Solitaire (Jane Seymour) making their escape on Quarrel’s boat at the climax of the bus chase in LIVE AND LET DIE. On the stunt where the bus loses its top half, director Guy Hamilton said: “One take and that was it. Doink. The top was on rollers and it just came off just as we’d rehearsed.” | James Bond 007
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Filming was completed on the boat chase in LIVE AND LET DIE on this day in 1972. | James Bond 007
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Filming on LIVE AND LET DIE was completed on this day in 1973. In today’s classic clip 007 escapes Mr Big’s men by becoming The Bleeker Flying School’s newest instructor. | James Bond 007
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Bond gets behind the wheel of a double-decker bus in this LIVE AND LET DIE (1973) chase. Roger Moore said: “Before we started shooting, I was sent to London Passenger Transport, to their skid pan, to learn how to skid a bus, which I have to admit is rather scary.” | James Bond 007
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