New York Classical Review1d
Persson, Wolfe premiere provide the highlights with Rouvali, Philharmonic
Miah Persson performed Richard Strauss’s Four Last Songs with conductor Santtu-Matias Rouvali and the New York Philharmonic ...
New York Classical Review3d
A mixed Mozart evening from Vengerov, Orpheus Chamber Orchestra
The traversal of Mozart’s complete works for violin and orchestra with Maxim Vengerov and the Orpheus Chamber Orchestra ...
New York Classical Review7d
Dessoff Choirs marks a century with an expressive Brahms Requiem
The performance Saturday afternoon at Town Hall by the Dessoff Choirs and Orchestra was more than just a concert. Certainly, ...
New York Classical Review8d
Mälkki makes both the new and familiar fresh and memorable with the Philharmonic
For a piece new to the ears—there’s no recording as yet—Mälkki impressed as having a confident understanding of the work, and ...
New York Classical Review10d
Hewitt’s style proves better suited to Baroque than Brahms at 92NY
Angela Hewitt and Johannes Brahms are both antiquarians at heart, immersing themselves in very old music—she to perform it in ...
New York Classical Review10d
Dramatic moments yet Met’s “Trovatore”still a work in progress
This current stretch of the Metropolitan Opera’s season is all meat and potatoes, dense with revivals of Puccini and Verdi— ...
New York Classical Review11d
In New York debut, pianist Yukine Kuroki displays an uncommon touch
One wouldn’t say Yukine Kuroki, who gave her New York debut recital Tuesday in Carnegie’s Weill Recital Hall as first-prize ...
New York Classical Review11d
Organist Mossakowski makes a mighty sound in New York debut
There are few visceral musical delights greater than an organ recital with its extraordinary display of colors and dynamics.