Like Shakespeare’s Macbeth, Coven opens with the voices of (so-called) witches. Like Macbeth, it speaks strongly to audiences’ obsession with pagan magic and ‘fallen’ women. But where Shakespeare’s ...

What you nurture grows. And for a nameless girl at the center of Manual Cinema’s exquisitely creative tale “The 4th Witch,” her need to avenge the death of her parents becomes a rage-fueled, ...

To adequately convey the horror and suffering of war — particularly as they are inflicted on children — lies beyond the power of words. There’s no dialogue or narration in “The 4th Witch.” None is ...