But in addition to everything else it is, Revolver is the Beatles’ most collaborative album. This is where John, Paul, George, and Ringo were closer than they’d ever been, as friends and ...

Along with Giles and engineer Sam Okell’s new stereo and Dolby Atmos mixes of the groundbreaking studio album’s 14 tracks (all sourced directly from the original four-track master tapes), the physical ...

The band's 1966 masterpiece is the subject of an expansive new box set featuring demos and studio outtakes revealing the Fabs at the peak of their unity. Beatlemania curdled into hysteria outside the ...

In 1966, the Beatles released Revolver, an album that was scores more experimental than their previous work. Evening Standard / Hulton Archive If you know the Beatles’ “Yellow Submarine,” you probably ...

When the Beatles started work on their masterpiece Revolver, in April 1966, they knew they were after the sound of the future. And they got there on the very first day of the sessions, with the wildly ...

George Harrison enjoyed working on The Beatles‘ Revolver, but that doesn’t mean he would’ve liked the new Super Deluxe version. Keep in mind George often contradicted himself. He said he’d come to ...

Along with the blossoming of the Beatles’ creativity, “Revolver,” released in the summer of 1966 at the peak of the Swinging London era, not coincidentally also documents the growing influence of weed ...

Not long ago, producer Giles Martin wasn't sure four-track-era Beatles albums like Revolver could be properly remixed. The tech, he said then, wasn't there yet. Suddenly, whispered asides originally ...

When the Beatles' Revolver was released in 1966, the album was heralded for breaking new ground. Using only a four-track tape machine, the band, with the help of producer George Martin and others, ...

Klaus Voormann was good friends with The Beatles years before he designed the album cover of their 1966 album, Revolver. Voormann had never worked with the group directly. There was a lot of pressure, ...

It has been nearly a year since Peter Jackson’s epic three-part documentary, “The Beatles: Get Back,” dropped like a bomb, generating a massive worldwide explosion of Beatlemania. Like Tolkienites ...