In this back half, we’ve got more welcome surprises and head-nodding favorites: little-discussed lead turns in smaller indie ...

There is an entire world in David Jonsson’s performance as the synthetic Andy in Fede Álvarez’s otherwise largely quotidian ...

She’s the typical rom-com protagonist, or at least she’d like to think so: She’s obsessed with them, right down to coveting ...

Watching “Three Women” is an uneasy experience. The STARZ series uses a truly female gaze, which is still disorienting in ...

An interview with the writer/director about his locked-in take on Bob Dylan, and whether he thinks "Walk Hard" killed the music biopic.

That’s a way of tap-dancing in the direction of an interesting development: Distributors that aren’t necessarily known for ...

It’s that time on the calendar when a site like RogerEbert.com is asked to distill the entire year to a list, but the best ...

The Last Showgirl,” directed with melancholy sweetness by Coppola, features Anderson as Shelly, the oldest showgirl on the ...

“No Other Land” Runners-up: “All We Imagine as Light,” “The Brutalist,” “Coma,” “Dune Part Two,” “Flow,” “Good One,” “Hit Man ...

A reflection on my time at the Critics Choice Association's celebration of Black entertainers in film and television.

Dead to Me” creator Liz Feldman has once again delivered a whip-smart and heartfelt comedy for Netflix. This time, the series ...

After months of morose awards season fare, there’s something so refreshing about the refined simplicity of the Netflix ...