In Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma,” horror, cinema, and desire are intertwined. Though similar in ...

Early on in Todd Haynes’ “Safe,” an unwatched television broadcasts a half-heard report on Elizabeth Bouvia, a woman ...

The Mythic Dimensions of Christophe Gans, author and RogerEbert.com contributor Scout Tafoya gets into the French director’s ...

On August 3th, 2026, as I was writing to wish Professor Robert Thurman a happy birthday, I was saddened to learn that he ...

One of the few ingenious ideas Lucasfilm has had across its increasingly stale Disney+ “Star Wars” era has been handing ...

This is the question at the center of Julia Hart‘s latest musical drama, “Don’t Say Good Luck,” which stars Sunny Sandler (star of the delightful 2023 comedy “You Are So Not Invited to My Bat Mitzvah“ ...

Ted Lasso” continues to make the case for empathy, not as hopelessly naive ideals, but as everyday choices and life goals.

Spider-Man: Brand New Day” spins on a theme nearly as old as comic books: It’s tough to be a superhero. While the cost of ...

Dania Bdeir’s “Warsha” is one of my favorite kinds of short films. In a tight fifteen minutes, it takes the viewer on a real ...

Even so, I was grateful for my time there, catching up with old critic friends, meeting distant faces for the first time, and ...

USA Network’s “Anna Pigeon” is filled with beautiful Montana vistas (even if shooting took place in neighboring Alberta, ...

Sprinkled throughout the narrative of the sophomore season of “Diarra from Detroit” (relocated to Paramount+ after the ...