Elisa Wouk Almino is a writer, editor, and literary translator based in Los Angeles. She is currently the editor-in-chief of ...
For the past weeks, I’ve kept a new monograph on the artist Emily Mason on my glass coffee table, observing the sea of ...
Entering The Roaming Peach Blossom Spring, Qiu Anxiong and Howie Tsui’s two-person exhibition at the Richmond Art Gallery, ...
Lin Li. Lin Li is an independent curator and writer based in Vancouver, on the ancestral and unceded territories of the ...
During the reign of Benito Mussolini, an enormous carved relief of the dictator’s head loomed over the streets of Rome, his downcast gaze ...
Tara Anne Dalbow is a writer and critic living in Los Angeles. Her work has been featured in the Los Angeles Times, Artforum, ...
In the Helsinki archipelago, as the days stretched toward the midsummer sun, birds were my consistent companions. Gulls ...
With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations, Inuit, and Métis ...
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...
Tilt your ear to a Jack Whitten painting and you might hear music. “You gotta be able to think like John Coltrane to do what I am doing in painting,” the artist said in the final decade of his life.
Shelly Mars has always been interested in what we should not talk about, and as a result, she has for the past forty years faced constant criticism and pushback. Nonetheless, the multifaceted ...
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