On Wednesday, Oct. 16, the Springville Museum of Art held the opening reception for the 38th annual "Spiritual and Religious Art of Utah" exhibition, boasting artwork selected from more than 1000 ...

Religious art, in modern times, has fallen from the liveliness of the Renaissance, when religion was civilization and men brought a homely vitality to their church art. John Singer Sargent's* ...

New masterpieces of George Capps and Polly Capps Paule are worthy of the Old Masters. They depict beauty, Our Lord, Our Lady ...

The idea of restoring religious art to churches is reportedly part of larger talks at the Uffizi, prompted by the coronavirus pandemic, to distribute works beyond its galleries to reach wider ...

Civil society members protested the postponement of an event featuring Javed Akhtar by the West Bengal Urdu Academy. The ...

In On the Strange Place of Religion in Contemporary Art, Elkins gives an account of the decline of religious art, which by the beginning of the 20th century was effectively gone.

By DEEPA BHARATHAssociated Press Religious art resonates for Apache spirits MESCALERO (AP) — Anne Marie Brillante never imagined she would have to choose between being Apache and being Catholic ...

LOS ANGELES (RNS) — Bridge Projects is a new gallery space that seeks to link art with spiritual and religious traditions.

If the Met exhibition approaches religious art largely in geopolitical terms, the Wallach show, titled "What Is the Use of Buddhist Art?," takes a more personal tack.

Religious imagery was prominent at home, too. His mother, Julia, made pen-and-ink drawings of angels; a reproduction of Leonardo da Vinci’s “The Last Supper” hung in the hall.

"The acrimonious relations between Catholics and Protestants in this country are scandalous." So writes Theologian Reinhold Niebuhr, one of Protestantism's top intellectual spokesmen, in ...

Two small exhibitions, one at the Met Cloisters, the other at the Wallach Art Gallery, bring the personal and political dynamics of devotional art to the fore.