In a series of daring, often yearlong works—locking himself in a cage, refusing to go indoors, tying himself to another ...

I say surprising because, of course, when it comes to Renoir, we think almost at once of his paintings: all those ...

In new films from Joachim Trier and Noah Baumbach, success in filmmaking proves depressingly incompatible with success in ...

After a recent N.B.A. scandal, more writers and pundits have come out against legalized betting. But the case that they’re ...

In this way and in many others, Rosalía is exceptional. She is a trained flamenco singer from Spain who found an ...

Enter the Cartoon Caption Contest for a chance to appear in the magazine. Follow @newyorkercartoons on Instagram and sign up ...

In the Supreme Court’s tariffs case, the conservative Justices will weigh two conflicting impulses regarding Presidential ...

Enter the Cartoon Caption Contest for a chance to appear in the magazine. Follow @newyorkercartoons on Instagram and sign up ...

Follow @newyorkercartoons on Instagram and sign up for the Daily Humor newsletter for more funny stuff.

“Courtin’ Time,” the musical comedy that opened at the National last week, is notably light, or, to put it another way, scrawny. It would seem to have been produced, as so many things in the same ...

Was this the week that America finally started clapping back at Donald Trump? Actions trigger reactions; we all know that. Yet, remarkably, Trump has spent the first nine months back in the White ...

In a series of daring, often yearlong works—locking himself in a cage, refusing to go indoors, tying himself to another artist—Hseih showed how the passage of time could be a medium in itself.