Entitled ‘Breaking the Mould’, this year’s programme looks at ceramics, expanding the art history canon and the future of ...
At ICA London, the artist’s new film revisits a disputed Mediterranean land mass that rose near Sicily in 1831 before eroding ...
At Museum Tinguely, Basel, an expansive group show examines the uneasy intersections of care, technology and capitalist ...
From Chloe Wise’s wry interrogation of the interplay between belief and the mystical to Lap-See Lam’s transposition of Cantonese shadow theatre into the digital realm ...
In new works for Frieze Seoul 2026, Muyeong Kim unpacks colonial histories and finds radical potential in traditional techniques ...
At Kunst Raum Mitte, Berlin, the artist weaves together love, trauma and worship to examine the lingering effects of colonial ...
At Portikus, Frankfurt, the artist entwines Sugpiaq knowledge, weather and craft to examine the unfinished work of Indigenous ...
At Dia Bridgehampton, the Long Island native reframes light not as a neutral phenomenon but as a modality of labour, ...
Kai Althoff, Untitled, 2025, installation detail, photographs and drawings on 11 partition walls in stucco veneziano with metal frame, dimensions variable. Courtesy: the artist, TRAMPS and Studio ...
Lin May Saeed, Spotted Hyena, 2019, bronze cast brushed, lacquer, 22 × 22 × 6 cm. Courtesy: Anton Kern Gallery The first New York exhibition devoted to the late German Iraqi artist Lin May Saeed ...
In the early 1980s, the UK government, led by newly elected Conservative Prime Minister Margaret Thatcher, adopted a financial policy known as monetarism – the idea that, by controlling the supply of ...
Cumin Baleen, the protagonist of Caren Beilin’s Sea, Poison, has a solid excuse for her writer’s block. The fish and wine shop employee, whose name tellingly resembles the author’s own, is a victim of ...
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