You’ve probably heard Vivaldi’s “Spring” concerto (“La Primavera” in its original Italian) before. More than likely, you didn’t hear it on the radio or on Spotify or performed live, but you may have ...
Performances in N.Y.C. Advertisement Supported by By Allan Kozinn SOME people hate Vivaldi’s “Four Seasons” for pretty much the same reasons others love it: it is an exceptionally vivid example of ...
This might sound ridiculous, but if you’d walked into a record shop in 1955 on the hunt for new music that was radical and unusual, you might well have been handed a copy of an unknown piece of ...
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