The words "genius" and "difficult" were both thrown Scott Walker's way over the years, but from his perspective, he was just ...
In later life, the deep voice of Orson Welles was heard on a few ads, but he could be a tricky person to direct, as the ...
Orson Welles is a renowned filmmaker, but he was unimpressed with another iconic director and one of his most acclaimed works - Rear Window. Welles cemented himself as a Hollywood legend when he wrote ...
Add Yahoo as a preferred source to see more of our stories on Google. But the biggest news for Welles in 2020 was surely the 40th anniversary of the drunken outtakes from a Paul Masson champagne ...
In 1937, Orson Welles had a strange run-in with Ernest Hemingway. The future director of “Citizen Kane,” who was then twenty-two, was recording voice-over for the documentary “The Spanish Earth,” a ...
Orson Welles played nearly all the roles. From director to writer to leading actor, Welles was an innovative creator whose keystone production, Citizen Kane, effectively changed the course of ...
Mark Cousins, director of Cannes Classics hit The Eyes Of Orson Welles, would be a distinctive character even if he wasn’t a respected filmmaker, writer and historian—his body is emblazoned with ...
Director Orson Welles’ latest movie hits theaters Friday — 33 years after he died. “The Other Side of the Wind,” the famed filmmaker’s final picture, has been in post-production for nearly 50 years, ...
One of the greatest American directors of the 20th century is known for only a few films. After Orson Welles made his masterpiece Citizen Kane in 1941, he fought bitterly with the studios that ...
Orson Welles directs a scene from The Other Side of the Wind. To his left are Peter Bogdanovich and Welles's long-term partner, Oja Kodar. On Labor Day weekend, the American independent film industry ...
Mark Cousins' documentary 'The Eyes of Orson Welles' is an intriguing and illuminating examination of the great filmmaker's paintings and sketches. By Todd McCarthy Anyone who suspects that nearly all ...
“I don’t want any description of me to be accurate,” Orson Welles told critic Kenneth Tynan in 1967. “I want it to be flattering.” It’s a typical Welles bon mot, blustery and witty and egocentric. And ...