Such was Sergei Rachmaninoff's admiration for Bach's Violin Partita in E Major, BWV 1006, that he arranged three of its seven movements — Prelude, Gavotte and Gigue — for solo piano. Bachmaninoff, if ...

Miriam Fried, one of the world’s pre-eminent violinists, returns to Curtis to shepherd the students through Johann Sebastian Bach’s sonatas and partitas for solo violin. The sonatas and partitas for ...

Hilary Hahn gives an exclusive performance of unaccompanied Bach from her new album, 'Hilary Hahn plays Bach'. Here, Hilary plays the Double (Presto) from Bach's Partita for Violin Solo No. 1 in B ...

In the grim pandemic nadir of September 2020, violinist Soovin Kim stepped out on an empty stage at the New England Conservatory in Boston and performed Johann Sebastian Bach’s Sonatas and Partitas ...

J.S. Bach: Violin Partitas Viktoria Mullova, violin (Philips) J.S. Bach: Violin Sonatas and Partitas Arthur Grumiaux, violin (Philips Duo). Viktoria Mullova’s readings of the Bach Partitas are ...

Two fine instruments were used for these recordings, a c1685 violin by a South Tyrolean master for the Partitas, and Zehetmair’s own ‘wonderfully preserved’ Johann Ulrich Eberle violin from around ...

Two years after her disc of the D minor and E major Partitas and the C major Sonata, Isabelle Faust completes her set of Bach's works for solo violin with G minor and A minor Sonatas and the B minor ...

This is FRESH AIR. Bach's sonatas and partitas for solo violin are as big a test for a violinist as his cello suites are for a solo cellist. Classical music critic Lloyd Schwartz says there are many ...

Johann Sebastian Bach’s sonatas and partitas for solo violin. Miriam Fried one of the world’s pre-eminent violinists returns to Curtis to shepherd the students through Johann Sebastian Bach’s sonatas ...

Gandelsman has been celebrated for playing a wide variety of music, from purely classical to the most inventive contemporary pieces. He takes on Bach's complex sonatas and partitas on his new album.

Playing at a slightly lower pitch (A=410) than the common Baroque standard, Beznosiuk’s 17th-century Flemish violin sounds mellow, with a distinctive “stringy” character. His meditative approach is ...