His much-anticipated remake of German filmmaker F. W. Murnau's 1922 silent horror classic Nosferatu: A Symphony of Horror begins with Ellen Hutter (a phenomenal Lily-Rose Depp) crying out from her childhood bedroom for "a guardian angel, a spirit of comfort...anything."

Nosferatu star Willem Dafoe is joined by the brains behind the horror film’s 2024 reawakening, Robert Eggers. Watch as the pair talk about early career influences, Robert’s stylistic approach to filming Nosferatu,

Stoker’s heirs sued Nosferatu ’s producers, and a German court ruled that all copies of the film be destroyed. That didn’t quite happen — too many prints had made their way overseas by that point — but Murnau’s vision was almost wiped from the record,

The director and production designer Craig Lathrop went down a historical rabbit hole to create a convincing setting for the horror film's latest adaptation

As a lifelong Dracula fan fascinated by the way death and sexual desire define vampire mythos, Eggers knew that he wanted his Nosferatu to be as erotic as it was haunting. But Eggers also wanted his Nosferatu to feel like a decidedly feminist, macabre romance, which is why he took some inspiration from Emily Brontë.

Director Robert Eggers' highly-anticipated horror film "Nosferatu" will hit theaters on Christmas Day. The acclaimed director sat down with CBS Saturday Morning to talk about bringing the classic vampire tale to a new audience.

In researching his upcoming version of Nosferatu, Robert Eggers included Mel Brooks' Dracula: Dead and Loving It in the mix. The post Robert Eggers took Nosferatu inspiration from Mel Brooks’ Dracula: Dead and Loving It appeared first on JoBlo.

The intense perfectionist behind "The Northman" and "The Lighthouse" tells IndieWire how he made the vampire tale his own.